Back to news
“We have melted carcasses of cameras just lining the camera case” –MrBeast’s crew shares what goes on behind the scenes of YouTube’s most popular channel
@Source: digitalcameraworld.com
Skip to main content
Digital Camera World
Digital Camera World THE HOME OF DIGITAL PHOTOGRAPHY
Search Digital Camera World
View Profile
Accessories
Buying Guides
The Photography & Video Show
Digital Camera
Australian Camera
Australian ProPhoto
Photography Magazines
Why subscribe?
Issues filled with product reviews, latest updates, expert advice and more
Delivered to your Android or IOS device
Every issue is packed with photo tips, kit reviews and inspiration
From$12View
Camera news
Camera rumors
Photography & Video Show
Photo mag deals
Cheatsheets
Recommended reading
Video Cameras
What cameras do YouTubers use? I’ve always wondered – and this video has the answers
Video Cameras
Want to be a pro videographer? Here’s the gear you need to succeed
Video Cameras
“When they say, 'What did you shoot it on?' It is the greatest insult you could ever say to someone,” says Casey Neistat – and I think he's got a point
Video Cameras
Is video fidelity a myth? 28 Days Later was shot in 480p!
Video Technique
How Apple TV+'s 'The Studio' was shot with one camera, one lens, and often in one shot
Photography
How my YouTube addiction supercharged my photography tenfold (and why I don’t plan to stop)
Cinema Cameras
I've often wondered what it would be like if cinema cameras were people. Well, now I know, thanks to this hilarious series of skits
Photography
Video Technique
“We have melted carcasses of cameras just lining the camera case” – MrBeast’s crew shares what goes on behind the scenes of YouTube’s most popular channel
Hillary K. Grigonis
28 June 2025
The camera and production lead at MrBeast, YouTube's most popular channel, share what happens behind-the-scenes
When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.
(Image credit: Hillary K Grigonis / Future)
MrBeast, the YouTube channel with the most subscribers across the entire platform, is known for high-dollar challenges, from smashing Lamborghinis to giving away millions of dollars for completing off-the-wall challenges.
But that sort of nothing-is-off-limits approach applies to what happens behind the scenes, too – including putting cameras in dangerous situations.
During the Bild Expo in New York City, I filed into an auditorium with content creators and videographers to go behind the scenes of the YouTube channel with more than 400 million subscribers.
You may like
What cameras do YouTubers use? I’ve always wondered – and this video has the answers
Want to be a pro videographer? Here’s the gear you need to succeed
“When they say, 'What did you shoot it on?' It is the greatest insult you could ever say to someone,” says Casey Neistat – and I think he's got a point
In a room full of filmmakers and gear nerds, MrBeast head of camera department, Ryan Elwell, and head of post and executive producer of Beast Games, Joshua Kulic, made a confession: nothing, including destroying cameras to get the shot, is off the table.
“Nothing is off limits, and I love that about MrBeast,” Elwell said. “I’ve put a lot of equipment in very compromising situations, and I will continue to do it for the video, for the end product. If that train is going to be hitting a Lamborghini, I’m going to be putting a camera right there, and there goes that camera, but it’s worth it for the shot.”
Kulic added, “We have melted carcasses of cameras just lining the camera case.”
Stop This Train, Win a Lamborghini - YouTube
While the team says that nothing is off limits, the camera crew doesn’t have an allegiance to a particular brand. “We will use anything,” Elwell said.
Get the Digital Camera World Newsletter
The best camera deals, reviews, product advice, and unmissable photography news, direct to your inbox!
Contact me with news and offers from other Future brandsReceive email from us on behalf of our trusted partners or sponsorsBy submitting your information you agree to the Terms & Conditions and Privacy Policy and are aged 16 or over.
“We will use Arri or any other cinema camera like Reds. We use Canon, Sony, GoPro, iPhones. It really doesn’t matter. We’re all about how we can get that angle, how can we get that shot, and how can we have as little impact as possible on the atmosphere or the environment.”
During the interview-style presentation, Elwell discussed how the camera can have a psychological impact on the video’s atmosphere. He explained that how a contestant feels with a big camera pointed in their direction could interfere with the fairness of the game.
So while sometimes the camera crew is placing cameras right in the middle of a crash, other times the team is hanging back with long lenses, or dressing in suits or referee costumes and using smaller cameras to better blend in.
Describing the production team behind MrBeast as large is an understatement, but throughout the interview Elwell and Kulic repeatedly described how the team works together and communicates from the planning process through post-production.
The MrBeast team currently holds the world record for the most cameras filming simultaneously on a reality TV show, with 1,107, including 1,000 GoPros and 107 cameras.
During that same episode, the team broke 44 Guinness Records, including the most cinema cameras used for a single reality TV season with 43 and the most expensive reality show season at $100,000,000 (which is about £72,960,049 / AU$153,268,873).
50 YouTubers Fight For $1,000,000 - YouTube
“Behind the scenes, we have a huge team sometimes, hundreds of camera operators, safety teams, teams that are prepping and getting ready for construction, and there’s a lot of time and prep that goes into prior to ever pressing record,” Elwell said.
“It’s a huge scale, but sometimes we can break that down to one camera operator and one audio guy, it just depends on what tools are needed for the job.”
Coordinating teams and budgets that large isn’t a small undertaking, but Kulic said the team embraces controlled chaos, an approach that applies from planning to framing the story in post production. “We like chaos to an extent. Controlled chaos, right?” Kulic laughed.
“But that’s born out of the authenticity of the channel. We are not scripted at all. We want to keep that organic nature. The contestants are going to drive the story, and we’re just creating boundary boxes. Everything is built around that, so you have to be able to be flexible in the moment.”
A key element of the MrBeast channel is the storytelling. Elwell joked that when Kulic – who was his friend prior to working together at MrBeast – first started working for the company, prompting his response, “Who is MrBeast?” Elwell said he then started watching the videos and looked over to see his wife crying. “This is not just YouTube, there’s a lot of emotion and authenticity here.”
Both planning and pivoting feel key to the MrBeast channel’s knack for storytelling. “At the end of the day, we’re all movie buffs, we all love movies and cinema in general and our viewers are the same way,” Elwell said.” Although it is social media, it is YouTube, it’s faster, we understand that our viewers are still craving that emotional connection and authenticity. We’re always thinking about that.”
Elwell went on to explain that, during the planning process, the team talks about what could happen and where to place cameras and videographers to anticipate being in the right place at the right time. With the unscripted nature of the channel, however, he added that the team is constantly pivoting.
“We compare [the process] to a train, it’s a constantly moving train and it’s Josh and my responsibility to stay ahead of the train, and lay the track and the foundation and just be ready for anything that could happen because that train could go left, it could go right, it could go off a cliff.”
“We have the be ready for that cliff. We’re ready for any pivot that could happen. That’s part of the fun of MrBeast, too, is just the constant pivoting.”
Continuing the storytelling in post is done with a large team of video editors. “Emotion and, beyond that, the through line of the story is going to be the biggest thing,” Kulic said. “What is the story? What are we trying to do? I think when people think of MrBeast, it's the fast cutting, and that’s part of it at the beginning… but I think it's just finding those natural stories in the moment.”
Breaking 44 records in one event is something that feels hard to outdo with the next video, but Elwell says that something they ask themselves every video is, “How we we outdo our last video?”
“Our audience is faithful,” Ellwell said, “but they also want to see us push the envelope and raise the bar again and again and again. A lot of that is in the prep and the people and pieces that we put into place. We have a great team… because we are always collaborating, which brings in a lot of creative ideas. Everyone has a voice, it’s not just one person.”
Shooting and then editing footage from 1,107 cameras sounds impossible, but Kulic advises filmmakers to start small and scale up from there. “Break things down into smaller blocks for yourself. You don’t need to think of 1,000 cameras; maybe it’s 12 groups of 80. We’re finding ways to break things down and scale up from there… Start with one camera, add ten.”
You may also like…
Browse the best cameras for YouTube or the best cameras for vlogging.
Hillary K. Grigonis
Social Links Navigation
With more than a decade of experience writing about cameras and technology, Hillary K. Grigonis leads the US coverage for Digital Camera World. Her work has appeared in Business Insider, Digital Trends, Pocket-lint, Rangefinder, The Phoblographer, and more. Her wedding and portrait photography favors a journalistic style. She’s a former Nikon shooter and a current Fujifilm user, but has tested a wide range of cameras and lenses across multiple brands. Hillary is also a licensed drone pilot.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.
What cameras do YouTubers use? I’ve always wondered – and this video has the answers
Want to be a pro videographer? Here’s the gear you need to succeed
“When they say, 'What did you shoot it on?' It is the greatest insult you could ever say to someone,” says Casey Neistat – and I think he's got a point
Is video fidelity a myth? 28 Days Later was shot in 480p!
How Apple TV+'s 'The Studio' was shot with one camera, one lens, and often in one shot
How my YouTube addiction supercharged my photography tenfold (and why I don’t plan to stop)
Latest in Video Technique
"Everything starts with a conversation" – Juliet Klottrup discusses the story behind her award-winning short film
How Apple TV+'s 'The Studio' was shot with one camera, one lens, and often in one shot
Yes, AI will decimate film-making, but that isn't the main problem
Are you too lazy to rotate your phone? Are you hoping evolution does this to your face?
What is a LUT? Here's why lookup tables matter for video AND photo editing
No AI needed! Fantasy movie 'The Legend of Ochi' returns to practical camera craft
Latest in Features
I've tried lots of options, but this 360 camera is now my favorite solution for behind-the-scenes content of my professional photo shoots
Trends have made Fujifilm exceptionally popular – but the Fujifilm X-T30 II is actually the brand's best-selling mirrorless on Amazon
I scoured New York City’s largest gathering of photographers and creators for the coolest photo and video accessories. These were my favorites
The RX0 II – how does Sony keep making brilliant disasters and miss open goals?
Photographers always say bigger sensors are better, but I prefer Micro Four Thirds for these two genres
I’d buy this monster $1000 camera if I were a wildlife enthusiast first and a photographer second
LATEST ARTICLES
Joel Meyerowitz among 3 major photography exhibitions as Leica celebrates its centenary year in Wetzlar
Shure SRH840A headphones review: a good-looking pair of mid-range headphones
Trump’s tariffs on camera gear can only hurt photographers
Photographers always say bigger sensors are better, but I prefer Micro Four Thirds for these two genres
Do Canon mirrorless shooters realize how far Canon is pushing its digital lens corrections?
Digital Camera World is part of Future US Inc, an international media group and leading digital publisher. Visit our corporate site.
Terms and conditions
Contact Future's experts
Privacy policy
Cookies policy
Advertise with us
Accessibility Statement
Future US, Inc. Full 7th Floor, 130 West 42nd Street,
Please login or signup to comment
Please wait...
Related News
17 Mar, 2025
Sports News | Indian Wells: Jack Draper . . .
10 Jul, 2025
Prime Video Reveals First Look at Season . . .
29 Mar, 2025
Osasuna claim Barcelona player was ineli . . .
27 Mar, 2025
Friends Show ‘Pride, Gratitude’ to Celeb . . .
10 Mar, 2025
Valarie Allman named 2024 Colorado Sport . . .
20 Apr, 2025
Kentucky basketball transfer portal: Top . . .
10 Jun, 2025
Stuart Findlay's Hearts role as transfer . . .
05 Apr, 2025
"Couldn’t sink any lower" - Fans troll B . . .